On Assia Djebar 2006 Calle-Gruber, Mireille, Assia Djebar, Paris: adpf. 2005 Rocca, Anna Assia Djebar. Le corps invisible, voir sans être vue, Paris: L'Harmattan. 2005 Veronika Thiel Assia Djebar. La polyphonie comme principe générateur de ses textes, Wien : Edition Praesens. 2005 Assia Djebar, Nomade entre les murs. Calle-Gruber, Mireille, Ed. International conference featuring a Dialogue of Assia Djebar and Andrée Chedid and texts on Assia Djebar by François Bon, Mireille Calle-Gruber, Eb Gruber, Pierre Michon, Abdelkebir Khatibi, Michelle Perrot, Jacqueline Risset, Gilles Clamens, Maissa Bey, Anne-Brigitte Kern, Michèle Vialet, Ernstpeter Ruhe, Jeanne-Marie Clerc, Wolfgang Asholt, Clarisse Zimra, Alison Rice, Hervé Sanson, and a round table of Assia Djebar’s International Translators. 2004 Restuccia, Laura, Parole Dal Silenzio: Assia Djebar, La Voce Dell'Algeria Fra Memoria E Storia , Palumbo. *Bibliography in this site indebted to Restuccia's bibliographical notes and structures 2001 Calle-Gruber, Mireille Assia Djebar, ou la resistance de l'ecriture. Regards d'un ecrivain d'Algérie. 2001 Assia Djebar, Ernstpeter Ruhe, Ed. Würzburg : Königshausen und Neumann, 2001. International conference featuring Assia Djebar's Peace Prize discourse, the German adaptation of her novella « La fievre dans la ville » into screen play “Das Fieber in der Stadt”, and texts on Assia Djebar by Ernstpeter Ruhe, Mireille Calle-Gruber, Wolfgang Asholt, Clarisse Zimra, Gilles Clamens, Ronnie Scharfman, Winifred Woodhull, Claudia Gronemann, Mireille Rosello, Priscilla Ringrose, Adrian V. Fielder and Alison Rice. 2000 Winkelmann, Esther, Assia Djebar: Schreiben als Gedächtnisarbeit, Bonn : Pahl-Rugenstein. 1998 Soares, Vera Lucia Escritura dos silencios Assia Djebar Brasil: EDUFF 1997 Clerc, Jeanne-Marie Assia Djebar: Ecrire, Transgresser, Résister Paris:L'Harmattan 1997 Siebert, Renate Assia Djebar, andare ancora al cuora delle ferité Milan: La Tartaruga 1996 Assia Djebar et Sembène Ousmane: littérature et cinéma en Afrique francophone Ed. Sada Niang, 1996 World Literature Today Autumn, 1996 issue devoted to Assia Djebar 1990 Cheiki, Beïda Les romans d'Assia Djebar Algiers: SNED 1988 Mortimer, Mildred Assia Djebar Philadelphia: CELFAN 1980 Déjeux, Jean Assia Djebar. Romanciere algerienne, cineaste arabe Sherbrooke : Sherbrooke Univ. Press Books partially on Assia Djebar 2003 Harrison, Nicholas, Postcolonial Criticism : History, Theory and the Work of Fiction, 2003 Au théâtre, au cinéma, au feminin, de Assia Djebar , Ariane Mnouchkine , Daniel Mesguich, Mireille Calle-Gruber , Hélène Cixous , Ed. Mireille Calle-Gruber et Hélène Cixous, Paris: L'Harmattan. 1999 Orlando, Valerie Nomadic Voices of Exile. Ohio UP 1998 Erickson, John Islam and the Post Colonial Narrative . Cambridge UP Assia Djebar, Salman Rushdie, Khatibi, Jelloun… 1998 Ruhe, Ernstpeter Postcolonialisme et Autobiographie Rodopi Albert Memmi, Assia Djebar … 1997 Segarra, Marta Leur pesant de poudre: romancieres francophones du Maghreb Paris: L'Harmattan 1997 Gauvin, Lise. L'écrivain francophone à la croisée des langues . Paris : Karthala. 1996 Green, et. Al. Postcolonial Subjects: Francophone Women Writers . Univ. of Minnesota Press 1995 Merini, Rafika, Two Major francophone women writers: Assia Djebar and Leila Sebbar . New York: Peter Lang. 1993 Woodhull, Winifred. Transfigurations of the Maghreb. Univ. of Minnesota Press 1993 Calle-Gruber, Mireille. Mises en scènes d'écrivains: Assia Djebar, Nicole Brossard , etc. Quebec and Grenoble : Le Griffon d'argile. 1993 Harrow, Kenneth. The Muse and the Marabout , Ed. Heinemann. 1991 Brahimi, Denise. Appareillages. Paris: Ed. Tierce 1987 Spivak, Gayatri. "Can the Subaltern Speak?" in Other Worlds. Essays in Cultural Politics. Routledge Films on and Radio interviews with Assia Djebar 2006 Assia Djebar interviews "A voix nue" avec Laure Adler, France-Culture 2003 "Assia Djebar : Genèses, entretiens avec Mireille Calle-Gruber" (53 min) Pierre Samson - la Maison des écrivains et le département d'études féminines de l'université Paris-VIII, co-production - Paris 2003 Bernard Pivot's "Double Jeu: Salvatore Adamo, Andrzej Seweryn, Assia Djebar", France 2 1997 "Assia Djebar: le miroir lointain" (35 min) ARTE - Cologne, Germany 1997 "Voix Ensevelies, Assia Djebar, Lieux d'écriture" (26 minutes) Barbara-Ann Rieck, WDR 1994 Interviews with Anne-Brigitte Kern, le 23 et 24 mars 1994, A Voix Nue, France-Culture 1993 "Paris, lieu d'exil d'Assia Djebar" (30 min) Television Frankfurt, Germany 1992 "Assia Djebar entre ombre et soleil" (52 min) Belgian-Algerian co-production 1991 "Assia Djebar à Fès (30 min) Florida Sadki FR3, Paris 1986 "Assia Djebar, l'amour la fantasia" (20 min) FR3, Paris
Awards & Prizes for literature and film * 2006 Grinzane Cavour Prize (Turino , Italy) * 2005 International Pablo Neruda Prize ( Naples, Italy ) * 2005 Elected to the French Academy , Académie Française de Paris ( Paris) * 2005 Doctor Honoris Causa at the University of Osnabrück (Osnabrück) * 2002 Named Silver Chair Professor at New York University (New York) * 2001 Commandeur des Arts et des Lettres. France * 2000 Doctor Honoris Causa University of Concordia, Montreal, Canada * 2000 International Peace Prize of German Book Trade Association ( Frankfurt) * 1999 Elected member of the Belgian Royal Academy of French Language and Literature (seat Julian Green) * 1999 Medal of Francophony, Académie Française de Paris (Médaille de Vermeil de la francophonie) * 1999 Prize from the Review: Etudes Françaises, Montréal for Ces voix qui m'assiègent... * 1998 International Prize of Palmi ( Italy) for all creative work * 1997 Marguerite Yourcenar Prize for Literature, Boston , MA, for Oran, langue morte * 1997 Fonlon-Nichols Prize African Literature Association, USA, for all creative work * 1996 International Literary Neustadt Prize, World Literature Today, Oklahoma , for all creative work * 1995 Doctor Honoris Causa of the University of Vienna , Austria * 1995 Maurice Maeterlinck International Prize, Société des gens de lettres, Brussels , for all creative work * 1989 Liberatur Prize for best novel by a woman, Frankfurt Book Fair, for Ombre sultane * 1985 Franco-Arabic Friendship Prize for L'amour la fantasia * 1982 Special Prize for Best Historic Film, Berlin, for "La zerda et les chants de l'oubli" * 1979 International Critics' Prize, Biennal of Venice, for "La nouba des femmes du Mont Chenoua" * 1962 French Culture Prize for Les enfants du nouveau monde
Corpus of Works 2003 La disparition de la langue française (novel) Albin Michel 2002 Femmes d'Alger dans leur appartement (short stories, édition amplifiée) Albin Michel 2002 La femme sans sépulture (novel) Albin Michel 2000 Figlie di Ismaele nel Vento e nella Tempesta (Musica Drama) Giunti ed. Firenze 1999 Ces voix qui m'assiègent: En marge de ma francophonie Paris: Albin Michel and Montréal: Les presses de l'université de Montréal (essays) 1997 Les nuits de Strasbourg Paris: Actes Sud (novel) 1997 Oran, langue morte Paris: Actes Sud (short stories) 1996 Le blanc de l'Algérie Paris: Albin Michel (narrative) 1994 Vaste est la prison Paris : Albin Michel (novel) 1993 Chronique d'un été Algérien Paris: Plume (preface to photographic essay) 1991 Loin de Médine Paris: Albin Michel (novel) 1987 Ombre sultane Paris: J.C. Lattès (novel) 1985 L'amour, la fantasia Paris: J.C. Lattès, 1985 (novel) 1980 Femmes d'Alger dans leur appartement Paris: des femmes (short stories) 1967 Les alouettes naïves Paris: Julliard (novel) 1962 Les enfants du nouveau monde Paris: Julliard (novel) 1958 Les impatients Paris: Julliard (novel) 1957 La soif Paris: Julliard (novel) Translations These books have been translated into German, English, Dutch, Danish, Spanish, Catalan, Arabic, Italian, Russian, Turkish, Slovakian, Swedish, Slovenian, Serb, Polish, Portuguese, Greek, Norwegian, Chinese, and Romanian. Soon: Hebrew.
Samples in English: The Tongue's Blood Doesn't Run Dry (novel) New York: Seven Stories Press, upcoming 2006 Children of the New World (novel) New York: Feminist Press, 2005 Algerian White (Memories) New York: Seven Stories, May 2000 So Vast the Prison (Novel) New York: Seven Stories, 1999 Women of Algiers in their Apartment (short Stories) Charlottesville: Univ of Virginia Press, 1992 [1999] Strasbourg Nights (Novel) (forthcoming) Fantasia, an Algerian Cavalcade London: Quartet, 1989 New York: Heinemann, 1992 A Sister to Scheherazade London: Quartet, 1988 New York: Heinemann, 1993 Far from Medina London: Quartet, 1983 The Mischief New York: Simon & Schuster, 1958 (Pocketbook: Nadia, 1960) Films, Plays & Poetry 1982 "La zerda ou les chants de l'oubli" (feature length film: 57 min) 1979 "La nouba des femmes du Mont Chenoua" (feature length film: 1hr. 57 min) 2000 Figlie di Ismaele nel Vento e nella Tempesta (Musica Drama) Giunti ed. Firenze 1969 "Rouge l'aube" Algiers : ENAL (play) 1969 "Poèmes pour l'Algérie heureuse" Algiers: ENAL (poetry)
Quotes and Portraits of Assia Djebar
Subterranean Medinas: L’Amour, la fantasia read by Jacques Berque A Mosaïc of Portraits: Jacqueline Risset, Beïda Chikhi, William Gass, Judith G. Miller Writings by Assia Djebar, on Assia Djebar « Assia Djebar is one of the most outstanding prose writers I’ve ever read. She has succeeded in transforming the history of the country and her gender into literature. » Barbara Frischmuth « Se saisissant de nos mères, grand-mères, sœurs, Assia Djebar nous confronte au mur de leurs silences qui sont devenus les nôtres… Assia Djebar écrit pour amorcer et pour replacer la femme dans l’écriture, donc dans l’histoire. » Les Inrockuptibles
« Assia Djebar écrit pour ne pas mourir, pour que les morts ne meurent pas tout à fait, elle écrit une Algérie féminine, amoureuse. » EDJ « Djebar’s novels scramble the rigid logic of antitheses, not as literature of protest, but as a search for some room for manœuvre beyond the grand narrative. » TLS « Both narrator and author know that writing means singing and dancing a ring around history, that language itself is the arrow pointed at the enemy. » Los Angeles Times « Her novels deliberately confuse time and character to stress the timelessness of their themes, notably the hardships faced by women, the oppressions of colonialism and the redemptive power of language and writing. » The New York Times |